2024/09/24 by Islyamova, Dilyara
paper · doi:10.34920/eamsj/vol_2023_issue_1/9-10
The development of piano art in Uzbekistan bears the imprint of hermeneutic thought, the content side of which characterizes the national composition and performing school, as well as the direction of their development. The identification of certain aspects of composition and interpretation is based on such analysis, which the help of which it becomes possible the definition the true interpretation and conceptual position of the generative idea of the phenomenon under study, be it a musical text, or the process of its execution itself. Moreover, the national characteristics of uzbek music become fundamental for both composers and performing musicians, and for the listening audience. This article analyzes ways to solve this problem, due to the cognitive reasons for the creative nature of human understanding of piano art from the position of hermeneutic analysis.