2020/08/13 by Khanifa G. Nadyrova, Dilyara A. Nadyrova · 1 citation
Arts and Humanities · Social Sciences · Engineering · #Media Influence and Health #Media, Gender, and Advertising #Tatar #Architecture #Cult #Identity (music) #Prayer #Ancient history #Period (music) #History #Civil engineering #Engineering #Archaeology #Art #Aesthetics
paper · pdf · doi:10.1088/1757-899x/890/1/012023
openalex publication_date 2020/08/13 · openalex created_date 2025/10/10 · openalex updated_date 2026/08/05
The article is devoted to the analysis of the development and identification of the architecture of mosques in Russia on the example of the Republic of Tatarstan. In the 1990-ies, after a long break, the construction of mosques in cities and villages was resumed. For the last three decades, the architecture of mosques has evolved from recreating historical buildings of mosques lost during the Soviet period to construction of modern Muslim cult structures. The architecture of the Tatarstan mosques in Russia develops compositions of the traditional types of the buildings while applying contemporary structures, materials, and extending the functions significantly. The buildings of the mosques include prayer rooms, libraries, museums, classrooms, conference rooms, auxiliary spaces, etc. A particular feature of the contemporary Tatar mosques is separate entrances and ladies' prayer rooms. Previously, women were not allowed inside the buildings. All this determines the identity of the architecture of mosques in Tatarstan and Russia. The construction of large cult structures signifies a new stage for the development of mosques in Russia.