2011/01/01 by Mark Fisher · 1 citation
Physics and Astronomy · Arts and Humanities · Psychology · #Space Science and Extraterrestrial Life #Contemporary Literature and Criticism #Utopian, Dystopian, and Speculative Fiction #Psyche #Unconscious mind #Commodification #Psychoanalysis #Art #Action (physics) #Art history #Psychology #Physics
paper · doi:10.1525/fq.2011.64.3.37
openalex publication_date 2011/01/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21
An analysis of Christopher Nolan's science-fiction thriller, Inception, which relates it to Nolan's previous films and argues that the film's multilayered nest of worlds and strangely cold action sequences relate to the commodification of the psyche.