Re-Making the Makerspace: Body, Power, and Identity in Critical Making Practices

2019/06/04 by Krystin N. Gollihue · 1 voice
Arts and Humanities · Computer Science · Engineering · #Crafts, Textile, and Design #Design Education and Practice #Innovative Human-Technology Interaction

paper · doi:10.1016/j.compcom.2019.05.002

openalex publication_date 2019/06/04 · crossref created 2019/06/04 · crossref issued 2019/09/01 · crossref published 2019/09/01 · crossref published-print 2019/09/01 · crossref deposited 2024/06/17 · openalex created_date 2025/10/10 · crossref indexed 2026/06/27 · openalex updated_date 2026/07/28

Citations

• Mycorrhiza-Induced Resistance and Priming of Plant Defenses
• Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter
• 8 Decolonizing Methodologies: Research and Indigenous Peoples
• Critical Making: Conceptual and Material Studies in Technology and Social Life
• The Rhetorical Work of YouTube’s Beauty Community: Relationship- and Identity-Building in User-Created Procedural Discourse
• Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective
• Made Not Only in Words: Composition in a New Key

Discussions

• If somebody is interested: Gollihue, Krystin N. « Re-Making the Makerspace: Body, Power, and Identity in Critical Making Practices ». Computers and Composition 53 (septembre 2019): 21‑33. doi.org/10.1 [bsky, 0 points, 0 comments]