2021/12/22 by Jacobo Sefamí, Sefamí, Jacobo
Arts and Humanities · Social Sciences · #Comparative Literary Analysis and Criticism #Cultural and Social Studies in Latin America #Elsa Cross #Literary and Philosophical Studies #Myriam Moscona #Octavio Paz #Rocío Cerón #Víctor Cabrera #contemporary Mexican poets #critical poem
paper · doi:10.23692/imex.10.15
openalex publication_date 2021/12/22 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/01
pp. 199-210. This article focuses on the concept of "critical poem", as analyzed by Octavio Paz, in relation to his readings of Mallarmé, in ‘Signs in Rotation’, to examine four books of Contemporary Mexican poets that establish an indirect dialogue with writing awareness, so akin to the Mexican Nobel: Cantáridas, by Elsa Cross; Negro marfil, by Myriam Moscona; Basalto, by Rocío Cerón; and Wide Screen, by Víctor Cabrera.