2024/01/06 by Chefranova, Oksana, Drubek, Natascha, Morley, Rachel +1
#Bukovina #Christmas cinema #Congress Poland #Digital Humanities #Georgia #Khlysts #New Cinema History #Poland #Russian Empire #Russophone diaspora #Ukraine #cinema business #cross-dressed performances #dance films #decolonisation #early animation #early cinema #educational cinema #gender #media archaeology #media hauntology #military filmmaking #movie theatres #panoptic gaze #panoramic view #pre-cinema #screenwriting #sects #theatrical travesty #women filmmakers
paper · doi:10.17892/app.2023.00016.363
This editorial introduces the double issue The Haunted Medium I and II: Moving Images in the Russian Empire (Apparatus 15 and 16), which began in 2021. Opening with a general overview of existing scholarship in the field of ‘early Russian cinema’, it outlines the issue’s decentring approach to the study of cinema in the late Russian Empire and the intent to shed light on under-recognised contributors and overlooked aspects of the imperial film industry. The editorial critically reevaluates the term ‘Russian’ in the context of the Empire’s film production, fostering discussions on national identity and categorisation, including a shift in our spelling and naming habits, both scholarly and beyond academia. The editorial encapsulates the issue’s goal to inspire new cross-disciplinary and cross-national research, thereby enriching perspectives on the cinematic legacy of the Russian Empire. It offers a survey of the themes explored in the issue’s twelve articles and outlines how they collectively represent a starting point in the process of decentring our view of imperial film culture and contribute to expanding our understanding of it temporally, geographically, culturally, and – albeit to a lesser extent – methodologically and theoretically. The editorial concludes with summaries of each article.