2002/02/01 by Maggie O’Neill, Maggie O'Neill, Sara Giddens +4 · 1 citation
Psychology · Social Sciences · #Diversity and Impact of Dance #Participatory Visual Research Methods #Qualitative Research Methods and Ethics
paper · doi:10.1111/1467-954x.00355
openalex publication_date 2002/02/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/06/11
This paper focuses upon renewed methodologies for social research in order to explore and re-present the complexity of lived relations in contemporary society. Renewed methodologies can transgress conventional or traditional ways of analysing and representing research data. This paper combines socio-cultural theory; experience (life stories); and practice (exhibition/performance) defined as ethno-mimesis to explore and better understand key themes and issues evolving from ethnographic work with female prostitutes. By focusing upon life history work with women working as prostitutes and by experiencing women's stories represented through live art we can further our understanding of the complexity of sex, sexualities, desire, violence, masculinities and the relevance of the body – the gendered body, the imaginary body, the performative body, the social body – within the context of post modern times, de-traditionalization, and what Stejpan Meštrović calls ‘postemotionalism’ and compassion fatigue. The paper incorporates stills from a video/live art performance, Not all the time … but mostly … performed by Patricia Breatnach, choreographed by Sara Giddens, sound by Darren Bourne and video produced by Tony Judge. The video/live art performance is a response to transcripts of interviews with women working as prostitutes and fuses dance, text, sound and video.