2008/01/01 by John Belton · 1 citation
Arts and Humanities · Economics, Econometrics and Finance · #Photography and Visual Culture #Cinema and Media Studies #Art, Technology, and Culture
paper · doi:10.1525/fq.2008.61.3.58
Abstract This essay looks at the digital manipulation of color in such films as Pleasantville and Sin City in terms of their consequences for thinking about the “wholeness” and homogeneity of the image.