2025/09/16 by Gwendal Le Vaillant, Vaillant, Gwendal Le, Yannick Molle +1
Arts and Humanities · Computer Science · #Artificial Intelligence (cs.AI) #Diverse Musicological Studies #FOS: Computer and information sciences #Music Technology and Sound Studies #Music and Audio Processing #Sound (cs.SD)
paper · pdf · doi:10.48550/arxiv.2509.13285
openalex publication_date 2025/09/16 · openalex created_date 2025/10/18 · openalex updated_date 2026/07/28
Efficiently retrieving specific instrument timbres from audio mixtures remains a challenge in digital music production. This paper introduces a contrastive learning framework for musical instrument retrieval, enabling direct querying of instrument databases using a single model for both single- and multi-instrument sounds. We propose techniques to generate realistic positive/negative pairs of sounds for virtual musical instruments, such as samplers and synthesizers, addressing limitations in common audio data augmentation methods. The first experiment focuses on instrument retrieval from a dataset of 3,884 instruments, using single-instrument audio as input. Contrastive approaches are competitive with previous works based on classification pre-training. The second experiment considers multi-instrument retrieval with a mixture of instruments as audio input. In this case, the proposed contrastive framework outperforms related works, achieving 81.7% top-1 and 95.7% top-5 accuracies for three-instrument mixtures.