2024/12/19 by Carluccio, Giulia Anastasia, Rimini, Stefania
paper · doi:10.13135/2389-6086/10736
From the hybridization of imaginaries to stage reworking through digital technologies, the reinvention path of operatic heritage carried out by Davide Livermore’s direction and D-Wok’s video and virtual design appears today as an ecosystem project requiring the overcoming of boundaries of theatrical space itself. From Ciro in Babilonia at Rossini Opera Festival (2012) to Don Pasquale at La Scala (2018); from Attila (2018) to Macbeth (2021), again at La Scala; from Aida at Sidney Opera House (2018) to Aida at Teatro dell’ Opera di Roma (2023), the project emerging is one of a progressive experimentation of intermedia expansion of Opera.