Gender, representation, and power in San ethnography and rock art

1992/12/01 by Anne Solomon · 38 citations
Social Sciences · #Aesthetics #Anthropological Studies and Insights #Anthropology #Archaeology #Archaeology and Rock Art Studies #Art #Ceremony #Dance #Ethnography #Gender studies #History #Human sexuality #Interpretation (philosophy) #Linguistics #Maya #Pleistocene-Era Hominins and Archaeology #Political science #Politics #Power (physics) #Reading (process) #Representation (politics) #Rock art #Sociology #Visual arts

paper · doi:10.1016/0278-4165(92)90011-y

published in Journal of Anthropological Archaeology 11(4), 291-329 (Elsevier BV)

crossref issued 1992/12/01 · crossref published 1992/12/01 · crossref published-print 1992/12/01 · openalex publication_date 1992/12/01 · crossref created 2004/08/28 · crossref deposited 2020/04/03 · crossref indexed 2025/10/05 · openalex created_date 2025/10/10 · openalex updated_date 2025/11/06

Citations

• The rain bull of the South African Bushmen
• Women's Status in Egalitarian Society: Implications for Social Evolution [and Comments and Reply]
• The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]
• Foragers, Genuine or Spurious?: Situating the Kalahari San in History [and Comments and Reply]
• Outline of a Theory of Practice

Cited by

• The Evolution of Theory, Method and Technique in Southern African Rock Art Research
• David Lewis-Williams [wikipedia]