2014/02/21 by Leonela Fundić · 1 citation
Arts and Humanities · Social Sciences · Mathematics · Engineering · #Byzantine Studies and History #Balkans: History, Politics, Society #Style (visual arts) #Reign #Ruler #Ideology #Politics #Span (engineering) #Byzantine architecture #Identity (music) #Context (archaeology) #History #State (computer science) #Life span #Art #Literature #Art history #Aesthetics #Classics #Law #Political science #Mathematics #Archaeology #Engineering
paper · pdf · doi:10.12681/byzsym.1100
openalex publication_date 2014/02/21 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/07
<span style="color: black; line-height: 115%; font-family: 'Times New Roman'; font-size: 11pt">The paper sets out</span><span style="color: black; line-height: 115%; font-family: 'Times New Roman'; font-size: 11pt"> to <span>reconstruct the political context of art-making in the State of Epiros under its second ruler </span>Theodore Komnenos Doukas (r. 1215-1230)<span>, paying particular attention to two aspects: first, the ways in which art reflected and articulated political ideology; and second, the role played by works of art in the formation of a Byzantine imperial identity in exile.</span></span>