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Specificity of the Figurative-dramaturgic Interaction of the Musical and Verbal-text Concepts in the Works of Artemy Vedel

2019/12/20 by Ihor Tylyk · 1 citation
Social Sciences · Psychology · #Cultural, Linguistic, Economic Studies #Musical #Novelty #Relation (database) #Choir #Psychology #Epistemology #Literal and figurative language #Linguistics #Heuristic #Literature #Computer science #Art #Philosophy #Social psychology

paper · pdf · doi:10.31866/2616-7581.2.2.2019.187439

openalex publication_date 2019/12/20 · openalex created_date 2020/01/10 · openalex updated_date 2026/08/04

Abstract

The purpose of the article: to highlight one of the still insufficiently researched aspects of the studies about Artemyi Vedel – the specific relation between the musical and verbaltextual peculiarities of the spiritual and choral works by A. Vedel in the sense of their dramatic development.The methodology of the research is based on the combined use of universal methods of scientific knowledge, in particular, induction, deduction, historical method, cultural reconstruction, etc., the use of which makes it possible to optimally reveal the essence of the studied problems.The scientific novelty of the study lies in the fact that for the first time in modern musicology, the specifics of the interaction of musical and verbal-text series of spiritual and choral works by A. Vedel at the intersection of several heuristic projections, in particular, structuralist, psychological, religious and philosophical are considered.Conclusions. The works of A. Vedel is a complex and multi-aspect phenomenon, the essence of which is revealed through the prism of correspondence of verbal-textual and musical image.

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