2009/04/09 by Bruno Overlaet · 1 citation
Social Sciences · Arts and Humanities · #Eurasian Exchange Networks #Ancient Near East History #Archaeology and Historical Studies #Emperor #Sculpture #Ancient history #Roman Empire #Art #Cult #Interpretation (philosophy) #History #Archaeology #Philosophy
paper · doi:10.2143/ia.44.0.2034386
openalex publication_date 2009/04/09 · openalex created_date 2016/06/24 · openalex updated_date 2026/07/02
The Roman emperors on the rock reliefs of Shapur I at Darabgird and Bishapur are traditionally identified as Gordianus 111, Philippus Arabs and Valerianus. The foreign delegations / prisoners on the Bishapur III relief have been interpreted as a reference to both the Roman Empire and the Eastern frontiers of the Sasanian Empire (Kushan). These references are evaluated and an alternative interpretation is considered. The Bishapur III Sculpture is seen as referring to Shapur's Syrian campaign in 253 AD. A heavy object among the booty is identified as the black stone of Emesa (ancient Homs in Syria), a famous baethvl. The spoils of war", such as the large boulder (stone of Emesa, depicted twice) a cart, textiles and vessels. all relate to Its cult. The Roman emperor is identified as the Roman usurper-emperor Uranius Antoninus, the last in line of the priest-kings of Emesa. Historic Sources relate this meeting between Shapur and Uranius Antoninus (called Sampsigeramos). The Roman emperor is depicted kneeling in supplication and standing as an ally next to Shapur's horse. Bishapur 11 and Darabgird represent the same event. This dates these reliefs to 254 AD.