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Messianism and the Abject: Reading D. H. Lawrence’s The Plumed Serpent

2014/03/01 by Camelia Raghinaru · 1 citation
Arts and Humanities · Social Sciences · Psychology · #Modernist Literature and Criticism #Jewish and Middle Eastern Studies #Postcolonial and Cultural Literary Studies #Modernity #Mysticism #Serpent (symbolism) #Human sexuality #Utopia #History #Literature #Reading (process) #Messianism #Philosophy #Ancient history #Art #Psychoanalysis #Art history #Gender studies #Judaism #Theology #Sociology #Psychology

paper · doi:10.1353/sdn.2014.0029

openalex publication_date 2014/03/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21

Abstract

The relationship between gender and mysticism places D. H. Lawrence’s novel The Plumed Serpent in a complicated relationship to modernity. This article points out that Lawrence’s vision of a national Mexican utopia, and ultimately of a cosmic one, is apparently premised upon a sexual revolution that should ultimately culminate in sexual intercourse as the archetypal union between ancient gods, deified men and women. However, Lawrence’s female abjection fails to achieve its messianic potential. Since the mystery of the new religion is directly related to the dark blood of male sexuality and female submission, the emergence of the modernist New is thwarted by D. H. Lawrence’s proto-fascist tendency and his preoccupation with femininity in its mystical and abject dimensions.

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