2021/12/14 by Manuel Parada López de Corselas, Alberto Ángel Vela Rodrigo · 2 citations
Social Sciences · #Chinese history and philosophy #China #Service (business) #Aesthetics #History #Sociology #Art #Archaeology #Economy
paper · pdf · doi:10.3390/rel12121103
published in Religions 12(12), 1103 (Multidisciplinary Digital Publishing Institute)
openalex publication_date 2021/12/14 · openalex created_date 2021/12/31 · openalex updated_date 2026/07/30
The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, cloisonné stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to make an approximation to some of those ritual objects used by the Christian Chinese communities that reflect the great influence that the Western artistic models had in the conception of art as a result of the cultural hybridization between both worlds.