2007/09/01 by Borna Fuerst‐Bjeliš, Ivan Zupanc · 13 citations
Social Sciences · #Historical Geography and Cartography #Croatian #Relation (database) #Period (music) #Geography #Cartography #State (computer science) #Postmodernism #History #Epistemology #Aesthetics #Art #Philosophy #Linguistics
paper · doi:10.21861/hgg.2007.69.01.01
published in Hrvatski geografski glasnik/Croatian Geographical Bulletin 69(01), 7-23 (Croatian Dairy Union)
openalex publication_date 2007/09/01 · openalex created_date 2016/06/24 · openalex updated_date 2026/07/28
Although maps have long been central to geographical inquiry, they were rarely treated as text or socially constructed images in general as well as in Croatian historical geography and history of cartography.Looking at maps as images, i.e. social constructions of reality in Harleyan, postmodern terms, the paper discusses the images of the Croatian borderlands in the early modern period.This is the period of frequent changes of borders between three imperial systems with different religious systems and cultural traditions that have met on the Croatian territory, and consequently reflected different attitudes toward the borderlands.The analysis is made on the basis of original maps from Croatian cartographic funds, as well as on a number of published facsimiles, mainly from the 17 th and 18 th century.It is possible to define two levels of meanings of the analyzed maps.The first one is related to the specific relation of the state authorities to border region, their particular interests and understanding of its importance.The other one reveals common socio-cultural images of the borderlands.Constructed in the distinct and complex border circumstances of the 16 th -18 th century, they disappear from the maps with the change of circumstances that created them.