2020/11/11 by J. Andrew Doole · 1 citation
Arts and Humanities · Social Sciences · #Aesthetics #Anachronism #Art #Biblical Studies and Interpretation #Criticism #Drama #Faith #Identity (music) #Jewish identity #Judaism #Law #Linguistics #Literature #Philosophy #Political science #Religion and Society Interactions #Religion, Society, and Development #Theology #Verb
paper · pdf · doi:10.1177/0142064x20973905
openalex publication_date 2020/11/11 · openalex created_date 2020/11/23 · openalex updated_date 2026/05/22
Since J. Louis Martyn proposed that John reflected a two-level drama, there has been much criticism of his (anachronistic?) use of the Birkat Ha-Minim to explain the expulsion of Christians from the synagogue. Adele Reinhartz maintains that this is really a case of anti-synagogue propaganda on the part of the evangelist. Yet, in all the exegetical discussion, one aspect which is rarely examined is the nominal form of ἀποσυνάγωγος (Jn 9.22; 12.42; 16.2a), a strange term which Bible translations have to turn into a verb. This label appears to come from a Greek-speaking Jewish milieu, and its negativity is re-appropriated by the author of this Christian text. Social identity research provides an insight into how a positive approach to stigmatizing labels can allow a community to thrive. This can be applied to ἀποσυνάγωγος in John, an insult which actually demonstrates the validity of one’s faith and identity. It is good to be a reject.