On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević

2016/06/27 by Katarina Tomašević · 1 citation
Arts and Humanities · #Musicology and Musical Analysis #Diverse Musicological Studies #Modernism (music) #Style (visual arts) #Musical #Art #Literature #History #Art history

paper · pdf · doi:10.4312/mz.52.1.27-40

openalex publication_date 2016/06/27 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/13

Abstract

The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.

Citations

• "Natura naturans, natura naturata" and Bartók's Nature Music Idiom

Cited by

• Josip Štolcer-Slavenski [wikipedia]

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