2001/01/01 by Aaron Watson · 1 citation
Earth and Planetary Sciences · Social Sciences · Arts and Humanities · Engineering · #Archaeology and ancient environmental studies #Archaeology and Rock Art Studies #Cultural Heritage Management and Preservation #Earthworks #Enclosure #Archaeology #Subject (documents) #History #Space (punctuation) #Geography #Engineering #Cartography #Computer science
paper · doi:10.1080/00438240120079307
openalex publication_date 2001/01/01 · openalex created_date 2022/05/12 · openalex updated_date 2026/07/29
Avebury is one of the largest Neolithic monuments in the British Isles. Enormous earthworks define a vast enclosure on the Wessex chalkland, and within its boundaries are settings of standing stones which reach into the sky. The sheer size of this place is difficult to comprehend on the ground, and to enter the enclosure is to move into a space that contrasts entirely with the surrounding landscape. On one level, Avebury is a monument of chalk and stone. On another, these materials served to define spaces and create experiences which are less often the subject of archaeological analysis. This paper will consider how an appreciation of aesthetics might begin to dissolve these differing approaches to the material evidence.