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The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s

2006/08/01 by Sang Mi Park · 26 citations
Psychology · Social Sciences · #Diversity and Impact of Dance #Japanese History and Culture #Asian Culture and Media Studies #Icon #Dance #Citation #Empire #Art history #History #Art #World Wide Web #Literature #Computer science #Ancient history

paper · doi:10.1215/10679847-2006-015

published in positions asia critique 14(3), 597-632 (Duke University Press)

openalex publication_date 2006/08/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/04/05

Abstract

Research Article| August 01 2006 The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s Sang Mi Park Sang Mi Park Search for other works by this author on: This Site Google positions (2006) 14 (3): 597–632. 10.1215/10679847-2006-015 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sang Mi Park; The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s. positions 1 August 2006; 14 (3): 597–632. doi: 10.1215/10679847-2006-015 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll Journalspositions Search Advanced Search The text of this article is only available as a PDF. Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

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