1991/12/01 by Elwin C. Robison · 5 citations
Arts and Humanities · Mathematics · Engineering · #Architecture and Art History Studies #Historical and Architectural Studies #Historical and Religious Studies of Rome #Parallels #Conic section #Vault (architecture) #Architecture #Perspective (graphical) #Geometrical optics #Architectural theory #Art #Art history #Optics #Sociology #Mathematics #Visual arts #Engineering #Geometry #Physics #Mechanical engineering
paper · doi:10.2307/990663
openalex publication_date 1991/12/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/28
The architecture of Guarini is distinguished from that of his Roman contemporaries by the complex geometries of his forms and the use of conic sections in his vaults. The use of advanced geometries in his domed churches was prompted not by numeric or structural theory but by optic considerations. The development of forced perspective in his vault shapes and use of light were influenced by theories on aesthetics and optics that were debated while Guarini was in Paris. The parallels between Guarini's architectural theory and that of Claude Perrault, as well as Guarini's unique aesthetic assessment of Gothic architecture, suggest that he developed these ideas during his four-year stay in Paris.