2004/04/01 by Vincent P. Benitez · 2 citations
Arts and Humanities · Computer Science · Neuroscience · #Musicology and Musical Analysis #Music Technology and Sound Studies #Neuroscience and Music Perception #Bass (fish) #Harmony (Music) #Harmony (color) #Musical #Art #Literature #Biology #Visual arts
paper · doi:10.1080/01411890490449781
openalex publication_date 2004/04/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/29
Messiaen's approach to harmony in his later music can be studied by examining his use of the chords of transposed inversions on the same bass note, thereby linking the construction of the chords of transposed inversions to Messiaen's concept of natural resonance. Although the chords of transposed inversions can be understood in different ways, their most revealing interpretation is as triadically based harmonies enhanced by resonance elements based on the color associations suggested in Messiaen's synesthesia. How the chords of transposed inversions are used in musical passages is also revealing, especially in relation to the modes of limited transposition.