2018/06/29 by Nadine Kroher, Kroher, Nadine, Aggelos Pikrakis +1
Arts and Humanities · Computer Science · Neuroscience · #Audio and Speech Processing (eess.AS) #Diverse Musicological Studies #FOS: Computer and information sciences #FOS: Electrical engineering #Music and Audio Processing #Neuroscience and Music Perception #Sound (cs.SD) #electronic engineering #information engineering
paper · pdf · doi:10.48550/arxiv.1807.00069
openalex publication_date 2018/06/29 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/28
We present computational tools that we developed for the analysis of a large corpus of flamenco music recordings, along with the related exploratory findings. The proposed computational backend is based on a set of Convolutional Neural Networks that provide the structural annotation of each music recording with respect to the presence of vocals, guitar and hand-clapping ("palmas"). The resulting, automatically extracted annotations, allowed for the visualization of music recordings in structurally meaningful ways, the extraction of global statistics related to the instrumentation of flamenco music, the detection of a cappella and instrumental recordings for which no such information existed, the investigation of differences in structure and instrumentation across styles and the study of tonality across instrumentation and styles. The reported findings show that it is feasible to perform a large scale analysis of flamenco music with state-of-the-art classification technology and produce automatically extracted descriptors that are both musicologically valid and useful, in the sense that they can enhance conventional metadata schemes and assist bridging the semantic gap between audio recordings and high-level musicological concepts.