2019/03/01 by Tatiana Oltean · 1 citation
Arts and Humanities · #Musicology and Musical Analysis #Diverse Musicological Studies #Theatre and Performance Studies
paper · pdf · doi:10.2478/ajm-2019-0004
openalex publication_date 2019/03/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21
Abstract It was during the communist regime of the post-war years that Romanian composer Gherase Dendrino wrote an operetta in celebration of the centenary of Ciprian Porumbescu’s birth, named Lăsați-mă să cânt [Let me sing!]. It revolves around the figure of Porumbescu himself, as the first Romanian composer to have ever written an operetta that would be performed and published, named Crai nou [New Moon]. Lăsați-mă să cânt [Let me sing!] tells the story of the making of the first Romanian operetta and was revived during the spring of 2018 at the Cluj-Napoca Romanian National Opera House, as part of the festivities related to the Centenary of the Great Union. The present research highlights three aspects of Dendrino’s operetta: firstly, the one related to the ethical values, epitomized in the libretto by the main character, Ciprian, who, along with his friends, achieves the greatest task of the birth of the Romanian operetta, in spite of all opposition and pitfalls; secondly, the aesthetic content , regarding de musical language of the work, opposing the world of the Romanian provincial town to the Viennese Salonmusik ; thirdly, the political aspect, encompassing the subtext of the libretto and the message of the work, which underwent continuous changes over the decades and social and political contexts up to the present day. Thus, the analysis takes into account both the sound and the word.