2017/09/29 · 1 citation
Arts and Humanities · #Music History and Culture
paper · doi:10.4324/9781351218061
openalex created_date 2016/06/24 · openalex publication_date 2017/09/29 · openalex updated_date 2026/03/10
Contents: Introduction. Part One Politics and the Parameters of Protest: Rock protest songs: so many and so few, Deena Weinstein The decline and rebirth of protest music, Jerry Rodnitsky Available rebels and folk authenticities: Michelle Shocked and Billy Bragg, Mark Willhardt The pop star as politician: from Belafonte to Bono, from creativity to conscience, John Street. Part Two Monophony or Polyphony?: The future is history: hip-hop in the aftermath of (post)modernity, Russell Potter Everyday people: popular music, race, and the articulation and formation of class identity, James Smethurst Gender as anomaly: women in rap, Gail Woldu. Part Three The Problems of Place: The coherence of protest music?: international reggae music and the Rastafarian movement (1972-81), Stephen A. King 'We have survived': popular music as representation of Australian aboriginal cultural loss and reclamation, Peter Dunbar-Hall The bleak country?: the black country and the rhetoric of escape, Ian Peddie. Part Four The Paradox of Anti-Social Protest: A garage of one's own: heavy metal as a reinvention of social technology, Sean Kelly The hand-made tale: authorship, privatization, and cassette-tape culture in the Pacific northwest independent music scene, Kathleen McConnell Gothic music and the decadent individual, Kimberly Jackson Alternative protest: straight-edge and other failings in the post-punk repertoire, Steven Hamelman. Bibliography Index.