Indifference, Identification, and Desire in Virginia Woolf’s <em>Three Guineas</em>, Leni Riefenstahl’s <em>The Blue Light</em> and <em>Triumph of the Will</em>, and Leontine Sagan’s <em>Maedchen in Uniform</em>

2010/01/01 by J. R. BARKER · 2 citations
Social Sciences · Arts and Humanities · #Italian Fascism and Post-war Society #European history and politics #Art, Politics, and Modernism

paper · doi:10.5250/womgeryearbook.26.1.0073

openalex publication_date 2010/01/01 · openalex created_date 2016/06/24 · openalex updated_date 2025/11/06

Abstract

JENNIFER BARKER, Indifference, Identification, and Desire in Virginia Woolf’s Three Guineas, Leni Riefenstahl’s The Blue Light and Triumph of the Will, and Leontine Sagan’s Maedchen in Uniform, Women in German Yearbook, Vol. 26, No. 1 (2010), pp. 73-96

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