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Beyond Genre: Diagnosing Bias in Music Embeddings Using Concept Activation Vectors

2025/09/29 by Roman B. Gebhardt, Gebhardt, Roman B., Arne Kuhle +3
Computer Science · Social Sciences · #Advanced Text Analysis Techniques #Audio and Speech Processing (eess.AS) #Computational and Text Analysis Methods #FOS: Computer and information sciences #FOS: Electrical engineering #Music and Audio Processing #Sound (cs.SD) #electronic engineering #information engineering

paper · pdf · doi:10.48550/arxiv.2509.24482

openalex publication_date 2025/09/29 · openalex created_date 2025/10/19 · openalex updated_date 2026/07/28

Abstract

Music representation models are widely used for tasks such as tagging, retrieval, and music understanding. Yet, their potential to encode cultural bias remains underexplored. In this paper, we apply Concept Activation Vectors (CAVs) to investigate whether non-musical singer attributes - such as gender and language - influence genre representations in unintended ways. We analyze four state-of-the-art models (MERT, Whisper, MuQ, MuQ-MuLan) using the STraDa dataset, carefully balancing training sets to control for genre confounds. Our results reveal significant model-specific biases, aligning with disparities reported in MIR and music sociology. Furthermore, we propose a post-hoc debiasing strategy using concept vector manipulation, demonstrating its effectiveness in mitigating these biases. These findings highlight the need for bias-aware model design and show that conceptualized interpretability methods offer practical tools for diagnosing and mitigating representational bias in MIR.

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