2016/01/01 by Joana Bahia · 2 citations
Social Sciences · Arts and Humanities · #Race, History, and American Society #Music History and Culture #Migration, Ethnicity, and Economy
paper · doi:10.1163/18725465-00901005
openalex publication_date 2016/01/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21
This article explores how the body and dance play a central role in the transnationalization of Candomblé among Afro-descendant people and increasingly for white Europeans by creating a platform for negotiating a transatlantic black heritage. It examines how an Afro-Brazilian artist and Candomblé priest in Berlin disseminate religious practices and worldviews through the transnational Afro-Brazilian dance and music scene, such as during the annual presence of Afoxé – also known as ‘Candomblé performed on the streets’ – during the Carnival of Cultures in Berlin. It is an example of how an Afro-Brazilian religion has become a central element in re-creating an idea of “Africa” in Europe that is part of a longer history of the circulation of black artists and practitioners of Candomblé between West Africa, Europe and Latin America, and the resulting creation of transnational artistic-religious networks.