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The Noble Savage Reconfigured: Paradox and Mimesis on Safari in the Okavango Delta, Botswana

2020/04/02 by Catie Gressier
Social Sciences · #Anthropological Studies and Insights #Diverse Aspects of Tourism Research #Geographies of human-animal interactions

paper · doi:10.1080/00664677.2020.1745754

crossref issued 2020/04/02 · crossref published 2020/04/02 · crossref published-print 2020/04/02 · openalex publication_date 2020/04/02 · crossref published-online 2020/04/07 · crossref created 2020/04/07 · crossref deposited 2024/08/03 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/31 · crossref indexed 2026/07/31

Abstract

Tourists to Africa covet close encounters with dangerous wildlife, revelling in the simulation of the primal risks of the savannah, and yet they expect to be kept safe. Similarly, many tourists wish to engage with exotic local people, but in ways that ensure they feel comfortable socially and physically. Safari guides in the Okavango Delta fulfil these desires by facilitating close encounters with wildlife during luxury camping safaris, while becoming objects of fascination themselves as they perform the role of the ecologically noble savage. The exoticness of a number of these Botswana citizens is, however, rendered familiar and comfortable for tourists through the fact of their whiteness. In this paper, I explore the paradoxes evident within Okavango Delta tourism, with a focus on the ‘familiar exotics’ guiding tourists through landscapes constructed around notions of ‘safe danger’. In making sense of this paradigm, I argue that mimesis is at play within white citizens’ embodiment and commodification of cultural values and practices normatively associated with indigenous peoples. This case demonstrates that within the tourism nexus, the ecologically noble savage trope evident in romanticised global imaginaries of indigeneity has largely failed to empower Botswana’s indigenous Bushmen communities, while perpetuating white privilege.

Citations