2025/04/03 by Cristián H. Ricci · 1 voice
Arts and Humanities · Social Sciences · #Gender, Feminism, and Media #Music History and Culture #Race, History, and American Society
paper · pdf · doi:10.1080/14636204.2025.2505238
openalex publication_date 2025/04/03 · openalex created_date 2025/10/10 · openalex updated_date 2026/06/15
In her autobiography Porque me da la gana: una vida en contra de prejuicios (2022), hip-hopper Miss Raisa (Imane Raissali Salah, b. 1997) explores themes of cultural identity, religion and the integration of Moroccan immigrants in Catalonia. Utilizing her music and social media presence, she challenges stereotypes and narratives about immigration, blending Muslim elements with European youth culture to advocate for immigrant empowerment. Miss Raisa’s approach raises questions about the portrayal of Muslim women and the potential reinforcement of anti-immigrant sentiments. This essay examines her use of popular feminism within a neoliberal context, highlighting the tension between promoting individual success and the need for collective action against systemic inequalities. Her reliance on social media for advocacy reflects the complex role of digital platforms in cultural discourse, underscoring the balance between visibility for feminist issues and the risk of aligning with market-driven practices. Miss Raisa navigates these challenges, offering insights into identity, integration and the nuanced impact of digital presence.