2025/08/13 by Minh Nghia-Nguyen, Panayota Gounari · 1 voice
Arts and Humanities · Psychology · #Memory, Trauma, and Commemoration #Rhetoric and Communication Studies #Visual Culture and Art Theory
paper · pdf · doi:10.1017/s0047404525101413
openalex publication_date 2025/08/13 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21
Abstract This article presents a multimodal critical discourse analysis (MCDA) of collective remembering of the American War in Vietnam, also known as the Vietnam War, as embodied in forty-nine photographs taken during the war and published in the digital edition of The New York Times on the Vietnam War’s forty-second anniversary commemoration. Collective memory and commemoration are understood as political and discursive practices that make up a site of contestation (Milani & Richardson 2022). This research attempts to unveil The New York Times ’ semiotic control in presenting and recontextualizing a historical narrative of the Vietnam War to sustain a necropolitical architecture in the making of collective memory. Three major themes emerging from the data—dehumanized death, gendered death, and paternalized death—are discussed in the context of what we call necropolitical discourse of collective remembering of the Vietnam War. (Necropolitical discourse, Vietnam War, CMDA, collective remembering, lieu de dispute)