1983/01/01 by George C. Boon · 1 voice · 1 citation
Arts and Humanities · #Ancient and Medieval Archaeology Studies #Historical and Archaeological Studies #Historical and Religious Studies of Rome
paper · doi:10.2307/526336
openalex publication_date 1983/01/01 · openalex created_date 2016/06/24 · openalex updated_date 2026/05/18
Malain Vernhet has published in Gallia a summary of one of the most important discoveries made at La Graufesenque for many years; a mass of waste associated with a large kiln contained the work of about forty potters, some familiar in the last stages of the export-trade to Britain. Among the decorated bowls were some with the potter's stamp L.COSI, conventionally dated to the late Flavian period. Several of them bore reliefs which prove that the style continued down towards 120: thus, on one bowl, which is illustrated, we see figures of a seated warrior turning his sword on himself, labelled DECIBALV, and of a prisoner condemned ad bestias, identified as PARTV. AS M. Vernhet remarks, reference is to the suicide of the Dacian king, Decebalus, in 106 and to the Parthian triumph, which Trajan did not live to experience, in 117. The design thus epitomizes the great conquests of the reign, and in all its provincial crudity speaks to us directly of facts, away from which the noble commemorative monuments in Rome and at Benevento all too readily, perhaps, beguile us.