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„Jamali neenetsite filmiseeria”. Sündmusfilm etnograafilise uurimisviisi ja virtuaalse väljana

2026/02/01 by Liivo Niglas · 1 voice
Arts and Humanities · Health Professions · #Diverse Musicological Studies #Indigenous Studies and Ecology #South Asian Cinema and Culture

paper · pdf · doi:10.54013/kk818a6

openalex publication_date 2026/02/01 · openalex created_date 2026/02/19 · openalex updated_date 2026/05/21

Abstract

This article analyzes the Yamal Nenets Film Series (2024–2025), a nine-hour sequence of observational event-films edited from video footage recorded among Nenets reindeer herders on the Yamal Peninsula in 1999. In a context where pandemics and Russia’s war in Ukraine have rendered classical long-term fieldwork in Yamal politically and ethically untenable, the article asks how such historical audiovisual material can function simultaneously as an ethnographic source, a representational form, and a method of “returning” to a now-inaccessible field. The article conceptualizes filming as a mode of embodied participant observation, in which handheld camera work, long takes, and synchronous sound attend to movement, gesture, and the sensory textures of tundra life. It then examines the re-editing of the footage into event-centred films that preserve the internal rhythm of everyday activities, alongside the technical and ethical implications of digital restoration. A third focus is remote post-production and translation under authoritarian conditions, where collaboration with Nenets partners must balance co-authorship with their protection from surveillance and political risk. Situating the project within debates on observational cinema, archival ethnography, and “anthropology from home”, the article argues that the film series constitutes an open, processual archive rather than a closed documentary record. The archive remains receptive to new informational layers – such as Indigenous commentaries, researchers’ field notes, expert contextualization, and future reinterpretations – which accumulate over time and transform the meaning of the footage. As such, the series enables a form of virtual participant observation and pedagogical fieldwork simulation, while foregrounding the ethical demands of reflexive and security-aware collaboration with Indigenous research partners.

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