2026/04/10 by Bernard Capp · 1 voice
Arts and Humanities · Social Sciences · #Historical Art and Culture Studies #Literature: history, themes, analysis #Sociology and Norbert Elias
paper · pdf · doi:10.1017/s0018246x26101460
openalex created_date 2026/04/10 · openalex publication_date 2026/04/10 · openalex updated_date 2026/07/30
Abstract When Thomas Ellwood repeatedly flouted his father’s command in 1659 to stay away from the Quakers, his behaviour provoked bitter family quarrels and a beating, until his father eventually found a surprising solution: he confiscated all his son’s hats. Thomas became in effect a prisoner in the house, accepting that it would be unthinkable to go outside without a hat. However strange to us today, this made perfect sense to contemporaries, and such episodes remind us that the multifaceted conventions surrounding dress played an important role in early modern culture. When, where, and how hats were worn, and the gestures in which they featured, conveyed signals about identity and status, could sustain, display, or defy social hierarchies and relationships, and asserted political or religious loyalties.