2026/07/06 by Chen Chen · 1 voice
Economics, Econometrics and Finance · Social Sciences · #Chinese history and philosophy #Cinema and Media Studies #Hong Kong and Taiwan Politics
paper · pdf · doi:10.53779/chch0906
openalex publication_date 2026/07/06 · openalex created_date 2026/07/07 · openalex updated_date 2026/07/25
This article examines how Zhuji dialect operates as a generative aesthetic system within contemporary documentary filmmaking through a Chinese cinematic lens. Focusing on the short documentary Little Potato, the paper argues that dialect functions beyond spoken communication or regional realism, becoming a poetic mechanism that shapes cinematic rhythm, imagery, memory, and emotional atmosphere. Through tone, cadence, fragmentation, and oral texture, Zhuji dialect actively informs the film’s audiovisual language and contributes to the construction of poetic imagery. Drawing from practice-led research, the article reflects on the relationship between dialect, domestic space, and observational filmmaking. The study briefly engages with the Xiang system in Chinese aesthetics, where sensory images and symbolic associations generate emotional and philosophical meaning beyond literal representation. Within this framework, Zhuji dialect functions as an embodied cultural image that evokes memory, intimacy, and temporality.