2020/06/18 by Arpita Das · 1 voice
Arts and Humanities · Social Sciences · #Media, Gender, and Advertising #Shakespeare, Adaptation, and Literary Criticism #South Asian Cinema and Culture
paper · doi:10.7202/1070267ar
openalex publication_date 2020/06/18 · openalex created_date 2025/10/10 · openalex updated_date 2026/05/21
As the literary field in India begins to become more complex, layered and diverse in terms of its gender representation despite the stubborn persistence of many aspects of its “tradition” male bastion character, the most celebrated and successful literary festival in the country emerges as a microcosmic manifestation of this tussle for power. Based on an autoethnographic account of the literary festival over eight editions and a close narrative of the sessions in its 2018 and 2019 editions along with a look at how these editions were reported in the media, and placing them within the frame of scholarship researching literary festivals as representations or fragments of “public culture”, this article looks at gender representation at the Jaipur Literature Festival in the immediate aftermath of the two waves of the MeToo Movement in India.