2013/07/11 by Simon Turner · 1 citation
Social Sciences · #Global Peace and Security Dynamics #International Development and Aid #Middle East and Rwanda Conflicts
paper · doi:10.1080/00020184.2013.812888
openalex publication_date 2013/07/11 · crossref created 2013/07/11 · crossref issued 2013/08/01 · crossref published 2013/08/01 · crossref published-print 2013/08/01 · crossref deposited 2022/02/28 · openalex created_date 2025/10/10 · crossref indexed 2026/07/25 · openalex updated_date 2026/07/29
This article explores how the Rwandan state ‘stages’ its diaspora as agents of change. I argue that ‘staging’ – in the sense of creating a specific, positive image – is an important aspect of the present government's effort to create a new Rwanda of national unity and reconciliation. Although the diaspora mostly is articulated in policy documents in positive terms, there is also a strong acknowledgement of the so-called ‘negative forces’ of the diaspora. Staging the diaspora as agents of change is therefore a means to deal with this ambiguous perception of the diaspora and cultivate only its positive sides, and becomes part of a larger state-building project that is about ‘staging’ or ‘performing’ national unity and asserting state sovereignty. I argue that the Rwandan state performs its sovereignty and governs its hostile diaspora through processes of categorising the diaspora and through processes of inclusion and exclusion of certain categories.