2004/04/01 by ISABEL MOLINA GUZMÁN, Isabel Molina Guzmán, ANGHARAD N. VALDIVIA +1 · 2 citations
Social Sciences · #Latin American and Latino Studies #Media, Gender, and Advertising
paper · doi:10.1080/10714420490448723
crossref issued 2004/04/01 · crossref published 2004/04/01 · crossref published-print 2004/04/01 · openalex publication_date 2004/04/01 · crossref created 2004/05/27 · crossref deposited 2023/04/28 · openalex created_date 2025/10/10 · crossref indexed 2026/07/30 · openalex updated_date 2026/08/02
We were shooting on the steps of the Metropolitan Museum one night. It was lit romantically, and Jennifer was wearing an evening gown, looking incredibly stunning. Suddenly there must have been a thousand people screaming her name. It was like witnessing this icon. (Ralph Fiennes in the New York Times, 2002, p. 16, emphasis added) This stamp, honoring a Mexican artist who has transcended “la frontera” and has become and icon to Hispanics, feminists, and art lovers, will be a further reminder of the continuous cultural contributions of Latinos to the United States. (Cecilia Alvear, President of National Association of Hispanic Journalists (NAHJ) on the occasion of the introduction of the Frida Kahlo U.S. postage st& 2001; emphasis added) “Nothing Like the Icon on the Fridge” (column about Salma Hayek’s Frida by Stephanie Zacharek in the New York Times, 2002 Zacharek, S. 2002. The New Season/Movies; Nothing Like the Icon on the Fridge. The New York Times, : 41 Sep.8.Section ZA [Google Scholar]).