Systems of articulation, logics of change: Communities and scenes in popular music

1991/10/01 by Will Straw · 7 citations
Arts and Humanities · Social Sciences · #Cultural Industries and Urban Development #Music History and Culture #Social and Cultural Dynamics

paper · doi:10.1080/09502389100490311

openalex publication_date 1991/10/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/29

Abstract

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Cited by

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• INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE
• Revisiting the subcultural/post-subcultural debate: Assessing the relevance of Hodkinson's subcultural substance in contemporary Goth culture
• Music Worlds and Event Networks: An Exposition
• Fiesta de picó champeta, espacio y cuerpo en Cartagena, Colombia
• Scenes of entanglement: Towards a posthuman understanding of the transglobal noise music scene
• Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy

Related

• A provisional history of spectral music
• Constructivism and the study of human communication
• Aesthetics and the Logic of Sense
• Mixing methodologies and paradigmatic commensurability
• History as a social system∗