2001/06/01 by S. C. ROWELL, S.C. Rowell
Arts and Humanities · Social Sciences · #Aesthetics #Ancient history #Archaeology #Architecture #Art #Classics #Economic history #Historical Geopolitical and Social Dynamics #Historical and Archaeological Studies #Historiography #History #Law #Mythology #Period (music) #Political science #Politics #Socialism #Soviet union #World War II
paper · doi:10.1017/s0018246x0100173x
openalex publication_date 2001/06/01 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/21
Since the breakdown of the Soviet Union and Swedish socialism the Baltic region has attracted more attention, although not perhaps as much as it might deserve, than since the 1930s. English-speaking readers have been presented with a magisterial survey of the northern world over a five hundred years' period. However, many of the old stereotypes of war, pestilence, and the rise of Sweden under Gustav Adolphus, the lion of the north, and of Russia under the delusively attractive despots, Peter I and Catherine II (both of whom were essentially Baltic animals), remain unchallenged. Over the past decade much new work has appeared in northern Europe to open a more intriguing and understandable vista – of Baroque vibrancy in art, literature, and architecture; remarkably resilient small towns and efficient manor economies; and powerful interacting religious and political mythologies that combine in a vision of ‘Gotho-Sarmatian’ unity.