2022/02/15 by Shristi Rajbamshi, Georg Tauböck, Rajbamshi, Shristi +5
Computer Science · Engineering · #Audio and Speech Processing (eess.AS) #FOS: Computer and information sciences #FOS: Electrical engineering #Image and Signal Denoising Methods #Sound (cs.SD) #Speech and Audio Processing #Ultrasonics and Acoustic Wave Propagation #electronic engineering #information engineering
paper · pdf · doi:10.48550/arxiv.2202.07479
openalex publication_date 2022/02/15 · openalex created_date 2025/10/10 · openalex updated_date 2026/08/01
Audio inpainting refers to signal processing techniques that aim at restoring missing or corrupted consecutive samples in audio signals. Prior works have shown that ℓ1- minimization with appropriate weighting is capable of solving audio inpainting problems, both for the analysis and the synthesis models. These models assume that audio signals are sparse with respect to some redundant dictionary and exploit that sparsity for inpainting purposes. Remaining within the sparsity framework, we utilize dictionary learning to further increase the sparsity and combine it with weighted ℓ1-minimization adapted for audio inpainting to compensate for the loss of energy within the gap after restoration. Our experiments demonstrate that our approach is superior in terms of signal-to-distortion ratio (SDR) and objective difference grade (ODG) compared with its original counterpart.