Sound + Bodies in Community = Music

2022/11/15 by Barry Shank, Shank, Barry L.
Arts and Humanities · Social Sciences · #Latin American and Latino Studies #Music History and Culture #Race, History, and American Society

paper · doi:10.47060/jaaas.v1i2.120

openalex created_date 2021/03/29 · openalex publication_date 2022/11/15 · openalex updated_date 2026/08/01

Abstract

The analytical framework of sound studies is transforming our understanding of the political force of music. Following the lead of scholars like Nina Eidsheim and Salomé Voegelin, this essay considers the resonating force of listening bodies as a central factor in the musical construction of political community. This essay traces the tradition of African American music from congregational gospel singing through early rhythm and blues up to the twenty-first-century rap of Kendrick Lamar, showing how particular musical techniques engage the bodies in the room, allowing communities of difference to find their rhythms together.

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