2025/05/18 by Nadia HAMIMED & Nadia HAMIMED
#FOS: Languages and literature
paper · doi:10.48734/akofena.n016.vol.1.32.2025
Abstract: Delineation of ethnic and ideological propaganda is a multi-layered mission when juxtaposed with an unbiased endeavour to stand for enlightening messages. This paper seeks to examine the upshots of ethnic and conceptual distortion as embodied in films. A qualitative methodology is utilised, as well as data from varied articles on movies. The search is focused on the standpoint of sloppy audiences not familiar with semiotic concepts. Assumptions were gotten from five outcomes, that is to say: the coming on show of watchers’ vision dissimilar to the purpose of the movie maker; the emergence of miscellaneous onlookers' behaviour due to contrary understanding they issued from the portrayal depicted; the effect of the irreversible nature of communication, i.e. the messages described in the film; the appearance of the belief that film making is fundamentally ethically tricky; and the sensation the movie's wide-ranging core is incrusted owing to the multifarious messages portrayed. Keywords: Depiction, Ethos, Ideology, Misinformation, Movie