2025/12/28 by Bizzotto, Elisa
paper · doi:10.13136/vwh9r695
Francesco Marroni’s last volume, Henrik Ibsen e la spettralizzazione del reale, engages with a sustained analysis of Ibsen’s play Ghosts, though also offering a very broad assessment of the playwright’s oeuvre, the genesis of many of his works, and his reception in Europe, especially in the UK. The present article provides an overall commentary on Marroni’s volume and discusses its originality and role within Ibsen studies in Italy and abroad. KEYWORDS: Francesco Marroni; Henrik Ibsen; Ghosts; George Bernard Shaw