2024/05/09 by Zieher, Scott
paper · doi:10.7273/ebr-gadcent6-6
Scott Zieher offers some creative non-fiction in praise of perhaps Gaddis’s least-lauded publication: the lavishly illustrated and sample-provisioned “masterwork of printed ephemera” A Pile Fabric Primer. How did this mysterious document come to be, and what does it tell us about the creative writer's working conditions?