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L’espace autobiographique de Barbara ou les signes en chanson de la seiche

2017/01/12 by Joël July, July, Joël
Arts and Humanities · Computer Science · Social Sciences · #Cultural Insights and Digital Impacts #French Language Learning Methods #Linguistics and Discourse Analysis

paper · pdf · doi:10.15203/atem_2016.1655

openalex publication_date 2017/01/12 · openalex created_date 2025/10/10 · openalex updated_date 2026/07/07

Abstract

More often than not, we vainly try to bring into relief the autobiographical aspects of a short poetic text. The autobiographical material being either carefully hidden or ostensibly unveiled, Philippe Lejeune coined the notion of espace autobiographique (autobiographical space), which has proved relevant to emphasize the intriguing interplay between a fiction and an attested autobiography. This methodological framework can be adjusted to the works of the French singer Barbara, and particularly to her posthumous and unfinished autobiography (Il était un piano noir, 1998) and to a selection of her songs which seem to be riddled with biographical details. Our stylistical approach aims at analysing how a feeling of ambiguity is created, intertwining false certainties and subtle indications.

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