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Sound symbolism in Gooniyandi, a language of Western Australia

1996/12/01 by William B. McGregor
Psychology · Social Sciences · #Multisensory perception and integration #Australian Indigenous Culture and History #Hearing Impairment and Communication

paper · pdf · doi:10.1080/00437956.1996.11432454

Abstract

In Gooniyandi, a non-Pama-Nyungan Australian Aboriginal language spoken in the vicinity of Fitzroy Crossing in the Kimberley region of Western Australia, many verb roots end in consonants, unlike roots of other classes, which are almost always vowel final. The distribution of final consonants across the class of verb roots is examined, and it is shown that those ending in the same consonant tend to cluster together into a small number of semantically coherent groups. It is further argued that these associations of final consonants and semantic features of the action are iconically motivated: that is, there is evidence of phonaesthesia in Gooniyandi verbs. Possible articulatory and acoustic bases for this sound-iconicity are proposed and evaluated. For example, final ng is strongly associated with processes which involve hollow or resonant sounds, blunt shapes, or bent things. These associations are likely to be motivated by auditory iconicity (velars are grave acoustically) and/or articulatory iconicity (the tongue adopts a bunched and rounded shape). The statuses of these final consonants are also investigated, and it is suggested they are phonesthemes (Householder 1946), rather than morphemes.

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